Workflow and Project Management Showcase
I excel at applying rigorous visual art production standards—encompassing scriptwriting, storyboarding, and more—to meticulously oversee and control every aspect of video production.
I have comprehensive experience in the end-to-end production workflow of visual arts, along with practical working experience following Hollywood standard scriptwriting formats.
Proficiency in Comprehensive Technical Coordination: Moving-Image Production and Exhibition Installation
In this publicly exhibited, nationally recognized moving-image artwork titled Shanshui: Zhongnan, I employ a complete ACES color management workflow, utilizing Final Cut Pro (FCP) and Adobe Premiere Pro (PR) for editing, followed by conforming and color grading in DaVinci Resolve. This is supported by unified multi-screen output management. For the pure black-and-white imagery, I performed meticulous adjustments to gamma curves and color temperature, while exercising precise control over image texture, grain, sharpness, and other aesthetic qualities tailored to the exhibition site. This approach enables comprehensive oversight of the entire project — from pre-production through post-production to final exhibition delivery.
Outputs: DCP version, HDR version, and SDR version.
Video Editing, Color Grading, and Post-Production Management Projects
For the national-level project Shanshui at the China Academy of Art, I served as the technical coordinator and colorist for many years, accumulating extensive experience in film and television color grading and aesthetics. I am proficient in color space conversions and end-to-end color calibration workflows.
Proficiency in Comprehensive Technical Coordination: Moving-Image Production and Exhibition Installation
